A Shot in the Dark 1964/1965 by AverageMansReviews
Previously instalment: The Pink Panther
1963 Link https://averagemansreviews2017.blogspot.com/2026/08/the-pink-panther-1963-by.html
Review Time
Warning: there is flashing effects/colourful
effects/shooting/drugs/stabbing/impaling/animal cruelty/medical/references to
sexual assault
You are on the case... You are off case... You are on the case...: briefly; accidentally Inspector Jacques Clouseau [Peter Sellers:] a
bumbling French inspector gets assigned this murder case, but the number one
suspect is innocent her name is Maria Gambrelli [Elke Sommer:] but okay it
doesn't look like when someone sees her with the smoking gun literally in hand
at the time of the murder and we meet Cato [Burt Kwouk:] he is a martial arts
training; but highly skilled martial artist anyway/training partner and servant
to the Inspector where he can spring up at anytime or anywhere.
Generally speaking: the art in the
opening credits is of Inspector Jacques Clouseau; trying to solve this case and
at one point we see the Can-can; this is really priceless animation; you can't
replace hand drawn art; it has a timeless quarterly to it as with broadly
speaking computer animation; depending on how it looks when it first goes out
has by and large a tougher time being timeless, because computer animation and
computer technology is always changing and updating. The storyline/script is
excellent; it is a murder mystery obviously including comedy as well and
because the script is excellently written you can place fluent and consequently
natural skit scenes, which are plentiful and we even get one
breaking-the-fourth-wall; where we have our Inspector looking directly at the
camera for a split second, as we have these many characters arguing behind him,
so conversely the framework and pacing of this 102 minutes film is good, but it
also moves with purpose and a lively nature
Action,
comedy and art; we have some elements of usual action with various weapons
being used, with our Inspector sluicing around various locations or trying to
without being sent directly to Cato training from out of anywhere at anytime
or/and with this individual missing their intended target. The Inspector is
still very clumsy be it falling out of somewhere or sets his coat on fire and
trying to synchronise his watch with someone else's watch and for taste of the
art amongst other things we have Spanish, Hawaiian/Persian and/or Russian
dancing; but broadly speaking throughout the set designs, landscapes and/or
wardrobe and accessories are of the highest quality; so there is always
something to look and fresh or experience.
Character
developments and performances; the character developments are good versions of
what they are meant to be; based on towards the closing stages of this movie,
they did this whole; getting the suspects into one room with the Inspector and
do the whole finger pointing thing; which is always an excellent or should be
an excellent crescendo to a mystery movie, so the character developments have
to follow a good yet reliable character type for this kind of styles work
properly in the closing stages. The cast of performers are also defined in
their characters, which gives them an element of excellent chemistry and
sharpness to live performances, for Sellers as Inspector Jacques Clouseau; you
can see and feel that as this is the second time in this role, he has more of
an understanding as this character, consequently he makes this role is very
own, he also has spot on chemistry with Burt Kwouk as Cato and vice versa; they
really do get each other's character and performer even though they spend only
a little time on screen now and again in this movie
This film receives: 10/10, this film
is top-notch entertainment; for its lively and enthusiastic nature of fluently
being able to live alone, moving on to essentially the next skit in conjunction
with as I have already alluded to character developments that were and are good
versions, but so much more importantly enthusiastic performances from the cast
for a willingness to have an excellent sense of camaraderie to make this
project the very best they can, if you're into old school comedy crime caper,
you need to see this film once-in-a-lifetime, for a moment there is an ongoing
seen underneath the closing credits and yes it does have some awards accredited
to its name such as; 3 Nominees which include but not limited to BAFTA Awards
1966 BAFTA Film Award Best British Costume (Colour) Margaret Furse