Tron: Ares 2025 by AverageMansReviews
Previous instalments: Tron 1982 Link https://averagemansreviews2017.blogspot.com/2017/08/tron-1982-by-averagemansreviews.html and then Tron: Legacy Link https://averagemansreviews2017.blogspot.com/2017/08/tron-legacy-2010-by-averagemansreviews.html
Review Time
Warning: there is flashing effects/colourful
effects/disintegrating/regeneration/transformation/shooting/stabbing/burning/dismemberment/robotics/vehicle
crash/vehicle hit/cancer/medical/reference to drugs
The clock is ticking down on life: briefly; Julian Dillinger [Evan Peters:] he is the
current the CEO of Dillinger Systems, yes he is the grandson of Ed Dillinger
and let's just say the Apple hasn't fallen too far from the tree, as his
mother, Elizabeth Dillinger [Gillian Anderson:] the daughter of Ed is trying to
keep the board of her son back for now, at the beginning he has 6 months to
finish getting results or basically they will go in a different direction. So
Julian uses Ares/another name [Jared Leto:] he is a program that is highly
intelligent, very strong etc, but when he and others come into our world, they
have just 30 minutes before that particular version of them expires, but there
is a way to make them permanent, but you will have to go and see this film to
find out what that is.
Generally speaking: the framework, pacing, art and character developments;
well they are a lively affair from beginning to end of 119 minutes film, the
entire film is lifted by the background music for those that are into
alternative music of the old school variety it comes to us by the musical style
of Nine Inch Nails; sometimes vocalist music or sometimes instrumental music:
you are either going to love it like me or strongly dislike it like the person
I watch some of this content with, but this individual like the music; it is
loud, inviting, atmospheric as it beautifully elegantly tells you so much about
this film for an example from the scene constructions and consequently implies
what is characters see and feel and everything in between; superb work from
this alternative music sounding band [based on when this content was first
create you can now listen to these tracks wherever you get your music from, I
know this to be true because I have already done it myself.]
Art
and action; well as you would expect individually or it simultaneously both are
off the wall and off the charts; as this instalment of this franchise has
pulled out all the stops, to absolutely be highly engageable not only visually
but also action wise as well; I am going to make two references to the action
sequences; the first is Ares/other name is on a retrieval mission with other
programs, so they bring in taking care of some of the programs Ares/other name
starts walking up the side of this place [ yes absolutely the camera changes to
reflect this;] he retrieves the Intel and there are these other programs to try
and stop them which as you can probably tell doesn't go too well; this combat
sequence is a treat for the eyes even though usually I don't like this; there
is a momentarily pause/just to cover my back I will include slow down thing within
this environment this kind of thing feels naturally at home here and much later
on we do go old school and no I will not tell you about this, but all I can say
is; eventually they go old school
Character
developments, performances and comedy; the vital characters and their
developments are all spot on as they either discuss or show or implies heavy
topics such as missing or becoming like family or the sanctity of life [from
the perspective of: wanting to live, develop as a person, to experience different
things in life, doing as you were told me not get you there and the
uncomfortable truth is that most take it for granted or/and waste it:] to the
other uncomfortable reality of possibly at some point in the future computer
technology understanding the human condition: with the simultaneous outlay of
hiding in plain sight, you just have to listen and think, with these vital
characters, developments being brought to life by their performers; which
naturally with fluency to match understand that these performances need to be
articulate with yes our world dialogue being used by people from another world,
which opens the door to our lead character Ares/other name/Leto not being
moulded by our world: these vital performances were spot on for what they were
going for here. We even have some moments for comedy as our lead role tries to
describe the band Depeche Mode to a familiar face and he can't as he says it is
a feeling or something to that effect [which circles back into his character
developments.]
This film receives: 10/10, this film is top-notch entertainment; for its
authentic approach to how this franchise should always have been from Tron 1982
and this one in 2025 [let's not talk about Tron: Legacy 2010.] Now I am fully
aware that everyone is entitled to their opinion, but then again broadly
speaking in this modern culture we have to in most cases dumb everything down,
but this sequel clearly chooses not to do that, as I have already shown in this
content: but the reason why I am bringing it up here is because I need to make
that point; this may indeed cost them some money at the box office; what with
this film really needing to do some work as it has already been around since 06
or/and 10/10/2025 and it has only made well over a $66 million from a budget of
$180 million as of this content being first created and after the first lot of
ending credits there is an extra scene.
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