There's Something About Mary 1998 by AverageMansReviews
Warning:
there is flashing effects/colourful effects/dismemberment/burning/animal
cruelty/drugs/animal waste/bodily functions/shooting/psychological
abuse/biting/neurological disabilities/physical
disabilities/stalking/doggin'/medical/references to homosexuality and
decomposing.
Everyone wants Mary: briefly; at one point or another all these men have
wanted to be with Mary Jensen/another name [Cameron Diaz:] she lives in Rhode
Island, she is an orthopedic surgeon and she does a lot for the neural diverse
community based on the fact that her brother; Warren Jensen [W. Earl Brown:] is
by today's language clearly if I had to guess is very much on the autistic
scale.
Generally speaking: the storyline and its other subsequent opponents such
as comedy or/and action or just off the top of my head any field is really; I
have to be honest with you and no I'm not being woke, but there is being honest
with you that the vast majority of this film has aged like old milk; from these
men clearly stalking Mary and granted okay for the one that wanted to see how
she was doing that is partially acceptable, does not everything else or
everyone else for that matter obviously I also include the psychological abuse
component in here as well and not forgetting the neurological disabilities. But
however we do have some good art in the form of Jonathan Richman/The Modern
Lovers [you will see him throughout the movie singing about what is happening;
they act as the bridge in this film between different places.]
Comedy and action; the physical comedy be it
Ted Stroehmann [Ben Stiller:] he is a magazine writer that for many years has
always had a thing for Mary that has a technical accident in the bathroom many
years ago or in these present times with hair gel; for a little while these
individual scenes became elements of popular culture back in the day or/and we
have Tucker/another character [Lee Evans:] he is a British architect that is
physically disabled by injury and also has a soft spot for Mary; like the
Stiller Evans knows how to do physical comedy; because he is a British
legendary stand-up comedian so this kind of physical comedy is very much his
forte; so as a disabled individual on sticks he struggles to pick up his car
keys, but he is determined to get them himself, so we have very much have this
awkward situation of this disabled individual struggling to pick up these keys
without falling over [with the emphasis of at any moment you could fall over so
he quickly shifted his weight: basically it is like a baby deer on ice for the
first time, with Mary having to watch; so as you can imagine this sequence is
agonising and then it repeats itself in the following room, but Mary closes her
office door, so we/she doesn't have to see it unfold again.]
Character
developments and performances; on both counts if this is what they were going
for they struck gold. But as I referenced earlier in his character developments
in some cases have aged as well milk and for what they are these performances
are good; in particular for me Diaz and/or Evans need a special mention.
This film receives: 5/10, this film is mixed; I mean after taking
everything into consideration, this mark is a fair conclusion, yes there is
extra bits and pieces and finally yes this film has some awards accredited to
its name such as; 17 Winners which includes but not limited to New York Film Critics
Circle Awards 1998. 17 Nominees which also includes but not limited to Boston
Society of Film Critics Awards 1998 BSFC Award Best Screenplay Ed Decter John
J. Strauss Peter Farrelly Bobby Farrelly
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