Innerspace 1987 by AverageMansReviews

Innerspace 1987 by AverageMansReviews

Review Time

Warning: there will be flashing effects/colourful effects/bodily functions/transformation/animal cruelty/drugs electrocution/robotics/disintegrating/mental health improvement/shooting/medical/references to suicide

This experiment doesn't go according to plan: briefly; after this laboratory gets it by this rival scientist and her associates, this other scientist on the run has to jab someone unexpected to try and keep this work safe; this work in this case is miniaturisation; you see in this syringe; is this Lieutenant Tuck Pendleton [Dennis Quaid:] nowadays is a test pilot in this little science fiction one person craft for this experiment/mission which should have ended up in a rabbit, but instead he ended up in a human; by the name of Jack Putter/other character [Martin Short:] he works as the Junior Manager of this store, is a pushover and a hypochondriac, nice guy still a hypochondriac, after Lieutenant Pendleton makes some adaptions inside Putter; he can hear, eat or see what he sees and on top of that he can consume whatever  Putter consumes, but they only have a very short window to get Lieutenant Pendleton out of Putter and retrieve the stolen hardware before Lieutenant Pendleton's air supply runs out and consequently he dies, so they go to this one person he trusts Lydia Maxwell [Meg Ryan:] Lieutenant Pendleton's ex-girlfriend that finally got fed up with his out-of-control drinking habits, but they are much better under control these days and she is a news reporter for this newspaper as well.

Generally speaking: the script is predominantly all good, but for one massive detail which I will discuss much later on, the framework and pacing of this 120 minutes film is good, but having said that; it does need a driving force behind it; which at some point I will also discuss in this content

Art, action, character developments and comedy; art is of the most high standard possible as we get to see around Putter's internally and now and again Lieutenant Pendleton takes a rough ride in Putter's body which is very much depending on what is going on in the outside world as well, so we will have these kind of character developments/comedy of Lieutenant Pendleton trying to talk to Putter, because he doesn't realise that someone is inside him he goes down a rabbit hole of voices may be in his head and consequently we have this beautifully timed back and forth between two other patients in the waiting room with Putter where it is one of those back and forth's that are designed to get confusing quickly or/and Putter feeling incredible pain on the back of his one or both of his eyes due to the adaptions being made or Putter/Short dancing something to the effect of even Mick Jagger would be proud of in this one sequence With him drinking with his new on-board companion Lieutenant Pendleton. 

Character developments and performances; now obviously away from what I have just been discussing broadly speaking the character developments and the performances are good; and a special mention has to go out to Quaid, Short and Ryan; between trio or/and pairings or individually; they are driving force behind the project and without them this film would have really crumbled in essence they all bring different enthusiasm to this project; I would really like to give them another mark, but because of another situation I can't.

This film receives: 7/10, this film is good; I mean if you have never seen this film it is a good watch and as I have already referenced the artistic visions are amazing, but likewise I can't stand the closing of this film as it clearly suggests our story is not over yet, but this film doesn't have a sequel and there is an ongoing sequence underneath the closing credits. This film does have some awards accredited to its name such as 2 Winners; which includes but not limited to  Academy Awards, USA 1988 Oscar Best Effects, Visual Effects Dennis Muren Bill George Harley Jessup Kenneth Smith and 5 Nominees which also include but not limited to Motion Picture Sound Editors, USA 1987 Golden Reel Award Best Sound Editing - Feature Film Mark A. Mangini Innerspace