A Haunting in Venice 2023 by AverageMansReviews
Recap previous related content:
Murder on the Orient Express 2017 Link https://averagemansreviews2017.blogspot.com/2022/02/murder-on-orient-express-2017-by.html
Death on the Nile 2022 Link https://averagemansreviews2017.blogspot.com/2022/02/death-on-nile-2022-by-averagemansreviews.html
Review Time
Warning/Disclaimer: there is flashing effects/colourful
effects/environment/animal feeding/drugs/drowning/stabbing/cutting/suicide/breaking/impaling/medical.
Disclaimer: I am not a medical professional, yes I have a mental health
illness, but as it relates to add some point in this content, I made reference
to something and it is just how it comes across and looks like.
In the 1940's Italy, Venice: in a nutshell; we meet again Hercule Poirot [Kenneth
Branagh/Director of this sequel as well:] he is now a retired world renowned
detective living his life out in this location, he is also hired a bodyguard
Vitale Portfoglio [Riccardo Scamarcio:] an ex-police officer, which it is his
job to keep people away from Poirot. But that is until one day the lady
carrying an apple will make an exception for her; it is Ariadne Oliver [Tina
Fey:] Poirot's friend, crime novelist and she comes to persuade him to look
into this situation surrounding this quickly declining large house, so this
trio attended this Halloween party to try and solve the mystery if there is one
to be solved.
The
framework and pacing of this 103 minutes film is solidly good as on reflection;
it really does use the outlay of something similar to that of The Women in
Black 2012, where there are strange goings-on around this location including
using a similar atmosphere and tone, that is what we are working with/from in this
sequel.
Art: even though I have not reviewed The Woman in Black 2012
under this current name; likewise we have a similar high standard of art to see
and to experience for some examples; shadow play [I am looking this up, because
I didn't know it's name, without doing it a great disservice; basically it is
where you have this cloth hanging out with light shining through, whilst using
these models which have basic functions, it is also known as shadow puppetry]
or/and we have these black-and-white sequences and not forgetting the scenery,
wardrobe and anything else to bring this world to life; they really did do
everything in their power to bring this film to life.
Character developments and
performances: this is very much a cast characters/performance; with everyone performing their character types to a good all-round
standard, which can be reflected on understanding their motives. But a special
mention has to go to Jude Hill as
Leopold Ferrier; as a very intelligent child that looks after his father Dr.
Leslie Ferrier [Jamie Dornan:] yes he is a doctor, but in modern language of
2023 and beyond or until they give it a different name; he is clearly
struggling with PTSD [Post-Traumatic Stress Disorder.]
This film receives: 6/10, this film is good; as I have pointed out in this content there is a lot of good stuff in this sequel, I just feel that this mark is the right one here, I do hope if it is just a positive nominee that Jude Hill gets one for this performance.
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