The Big Ugly 2020 by AverageMansReviews
Review Time
Warning: there is flashing effects/colourful effects/drug
taking/breaking of neck.
Storyline/Characters/Performances: now in one way or another these three or four components including
the on-screen chemistry go hand-in-hand; the storyline is something solid, but
the pacing is really slow which consequently generally speaking these character
developments are something safe and reliable, but underneath there is some
in-depth substance, it smartly makes this divide known where even as criminals
there is this line between the criminals characters/performers and this lowlife
criminal character/performer [it's like saying "Yes we are criminals but
we don't cross that line."So there is this honour between the criminal old
guard] and the performances feel as if the on-screen chemistry is stretching
[in short maybe if this film had a kick up the posterior as it relates to its
pacing the on-screen chemistry would feel enthusiastic which would make things
free-flowing.] So I can't say the performances are poor, because they aren't I
can't say there isn't good on-screen chemistry because there is from time to
time, what I can say is these performances are from an overview perspective
solid.
Action/Art: there are weapons being used,
combat and chasing. The only action sequence that stands out for me is this
Western QuickDraw for older gentleman/criminals; in a rough description.
Preston/Perlman [oil baron/criminal] is waiting for his friend and business partner
in this venture Harris/McDowell [British crime boss] sitting in this chair and
this table with a cowboy hat on with this alcoholic drink in this upmarket
glass container with two drinking glasses on the table, with his revolver on
the table as well. Harris/McDowell comes into the scene and sits down in this
chair opposite Preston/Perlman whilst placing his handgun on the table, they
talk; have some drinks and I will leave it there and not give you the
conclusion of this sequence of events, but as I have already said it does stand
out from all the other action sequences that this film does have to offer,
because it shows some imagination and creativity.
Moving on to
the art; I would say this is consistently the best thing about this project, be
it the landscapes and all that or such things as our lead role/character
Neelyn/Jones getting drunk with things going on in his head the viewers can
hear it with voices [he has listened to a voice message from his girlfriend
Fiona/Crichlow earlier on in the film] then see it mental imagery with this
mobile fan and these window blinds creating these shadows on his face and also
this location; this character/performer [Kara/Rambin] comes in to this room to
rescue him from himself and to help him with his objective and we have this
band playing and singing; things like these are also good.
This film receives: 4/10, this film is
mixed; this is one of those films that should have been in the good section of
my marking system, but as I have already referenced the pacing is so slow it
really does affect this film
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