Review Time: this film is poor.
Warning: there are sexual assault elements in one way or
another in this project.
Fundamental elements: there are
voice-over elements, a number and words on screen, background music,
slow-motion effects, cultural elements, no subtitles when another language is
being used time jumps place and jumps.
Movement; it
is mostly slow; it does get better roughly around the final quarter moral less,
on reflection I think this is because they were running out of time to get
everything done and I can't remember if it is all of the time, but the
background music in the action sequences is loud and terrible [let's just say
when it comes into effect you will know what I mean; you can't miss it.]
Storyline/Back stories/Origin storyline: the storyline is something safe and reliable, but it is very poorly
executed in this title and yes we never find out if this character/performer
[Wakefield/Paré.] is okay. The back stories either get these news reports
[voice-over elements,] discussed in the dialogue exchanges, shown to us in the
film or via mental imagery and I was thinking I would put in a origin storyline
component, because after watching this film, this is what it is for this
character/performer [Cooray/Jay,] likewise when you come to watch this title
this will make better sense [but if you don't watch this project in a nutshell
without giving too much away this thing happens; this character goes from one
walk of life to a completely different walk of life by the end of this film.]
Action sequences/Artistic visions: there are weapons being used, combat, training, exercising and a
helicopter being used. Moving on to the artistic visions now these are the best
thing about this project; the viewers get to see the moon by daytime which
including everything else minus the character paints a glorious location [if
you're looking for the sun it is roughly around where this sexual offender
character is talking on his mobile] and we get to see the moon at night at some
point in this project, on top of that there are some eye-catching scenery and
there are these train elements as well [yes I am including anything associated
with a train.]
Character developments/Performances: the character developments are likewise something safe and reliable
and the performances, the chemistry/friction are best described as a mixed bag,
because depending where you are; in this title and which characters are on
screen at that time is depending what you get, but generally speaking the
chemistry/friction gets better later on in this project and on a more
consistent basis to.
Blooper: now this is where our main evildoer is hiding
out and these four vigilante characters/performers break into this location and
for some strange reason this main evildoer says "Good to see you
again" now I have two problems with this; one this would be the first time
that this main evildoer has met these characters in this clothing identity [he
has done no research on these characters/performers even before someone begins
to think like this and secondly they are covered up and just for the record if
he had said "Good to see you." I would have been okay with this; but
some time later he has no idea who is pointing the gun at him so this in itself
is a contradiction and on a quick side note and this is something for you to
look out for; not a blooper even though technically it should be one; these
four vigilante characters/performers take off their balaclavas; in one case I
can understand why, but the other three why take them off? You are wearing one
to cover up your identity then just to take them off when you are facing these
evildoers this makes no sense, you may as well not wear them in the first
place.
This film receives: 2/10, now as I
have already said this film is poor, but to make sure I am balanced in this
review, I would just say that if there are any fans of Luke Goss out there in
Internet land; take a look at this film but I really wouldn't expect too much
[one final thing I had another very quick scan of this project again just in
case I missed out on if this main evildoer and these four vigilante characters
in this clothing identity have met before this occasion and of what I can tell
and what I can remember they hadn't in this clothing identity; yes that one
little piece of dialogue ["Good to see you again"] has irritated me,
because he has met one in different clothing, but just in case if I am wrong I
will apologize here, just to cover my back.
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