Sunday, 2 February 2020

The Mule 2018 by AverageMansReviews

The Mule 2018 by AverageMansReviews

Review Time: this film is excellent.

Fundamental elements: there are words and numbers on screen, voice-over elements, cultural elements, background music, environmental, yes and no to subtitles being used when another language is being used, time jumps and place jumps.

Movement; I don't have too much to say here; it knows what it wants to do and just gets on with it.

Back stories/Storyline: the back stories either get shown to us or discussed in the dialogue exchanges, the storyline is good and it is based on real-life events.

Artistic visions/Action sequences: there are excellent flowers scenes, a band playing and singing or just singing and dancing. Moving on to the action there are weapons being used, combat, an ambulance and a helicopter.

Comedy level/Character developments/Performances: well I don't know what to say about the comedy level really, because on one hand I can't condone some of it, but on the other hand the character/performer that is saying it is very old and this character has no filter, which like I said I can't condone it but the most funniest thing about the comedy is the fact that this character/performer has no filter and yes there is one monologue joke which is clean on receiving this award, or this is something for you to hear/look out for a mature response; "then go and see a proctologist" in a dialogue exchange with another character/performer or our lead role is singing along to this song in his vehicle [his vehicle has been bugged unknowingly to him,] so the people he works for are singing along in their car behind him] and references about young people and their technology in this title.

Character developments & performances; these are all round good with good chemistry or good friction, depending where you are; is depending what you get.

This film receives: 8/10, the more you watch of this project the better it gets, so after everything is said and done I found myself at this mark


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