Wednesday, 15 January 2020

Men in Black 3 2012 by AverageMansReviews

Men in Black 3 2012 by AverageMansReviews

Review Time: this sequel is good

Fundamental elements: there are voice-over elements, cultural elements, background music, mental imagery, slow-motion effects, no subtitles when another language is being used, time jumps and place jumps.

The movement; I don't have much to say here, it settles down instantaneously [the film begins throughout the opening credits] and it takes things from there with the confidence it knows what it is doing at all times.

Back stories/Origin storylines/Storyline: the back stories either get shown to the viewers [opening to this sequel] or research or depending where you are we get to live it or it gets discussed in the dialogue exchanges and we have the Neuralyzer back stories changes as well. I can't say too much about the origin storylines but this; it goes full circle [the viewers will see it] and it will get discussed in the dialogue exchanges.

This is where I have to rip this sequel to shreds; be it the back, origin or the storyline this is where this sequel falls down a lot and yes I will have to be somewhat vague on this point just so that I don't give too much away. [But when you come to see this film you will understand what I am talking about,] so basically what we find out in this sequel comes out of nowhere, from this perspective now unless I have missed something [I know I haven't,] but you would think Agent K./Kay at some point would have discussed this thing with Agent J./Jay or at the very least you would sew these seeds may be in the first two titles or just specifically the first sequel [I mean if they did over both previous titles it would have been an interesting character layer for Agent K./Kay/Lee Jones to get his teeth into but as it is; this big reveal is sweet but if they spent more time building this up over the previous two instalments or giving your viewers an indication there is something more there they would have got a better pay off.

Before I receive any form of backlash; I am aware that between the second film title and this one there is roughly 10 years, but my point is still valid on the grounds that, by the end of the second film they could have indicated that Agent K./Kay/Lee Jones had made peace with the idea of not telling Agent J./Jay/Smith because of not wanting to hurt him in any way shape or form, so that if this film didn't get made the viewers at the time had closure, but as this film did get made they could have gone with Agent K./Kay/Lee Jones is getting weighed down by this secret, so as you can see/read either way would have worked.

My final point is this; in one way or another it breaks the rules of time travel where in this scene; you have Agent J./Jay and this other character/performer high up outside this building where he specifically makes this point do not interfere with K. but Agent J. seems to forget this even though he basically repeats what this character/performer says in this scene and Agent J./Jay tells younger Agent K./Kay future information

Action sequences/Comedy level/Artistic visions: now for the action sequences and the comedy level; they can be seen/heard as a separate element or linked into other elements like it's two predecessors such as when we have Agent J./Jay and younger Agent K./Kay where they are on these Monocycle where and it is Agent J./Jay's first time on it and he ends up upside down on it, after taking some instructions from younger Agent K./Kay there is a good chasing sequence

The artistic visions; we have the worms playing bagpipes and singing [the characters from the previous two films] and this other character/performer playing the guitar [yes the same character/performer which I have already mentioned in this review already] and how Agent J./Jay travels through time is an interesting and creative interpretation.

Character developments/Performances/Voice performances: they are all good minus 2 characters/performers; good chemistry/friction [depending where you are; is depending what you get.] Now don't get me wrong there is good chemistry/friction between Agent J./Jay/Smith and younger Agent K./Kay/Brolin, but you can't beat the chemistry/friction between Agent J./Jay/Smith and Agent K./Kay/Lee Jones this partnership is irreplaceable, on a quick side note in no way shape or form I have nothing against Brolin, it's just Smith and Lee Jones and their characters in this trilogy just have IT working off one another.

This film receives: 7/10, as I have already said this film is good

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