Tuesday, 20 January 2026

Godzilla 1998 by AverageMansReviews

Godzilla 1998 by AverageMansReviews



Review Time

Warning: there is flashing effects/colourful effects/shooting/animal cruelty/animal feeding/animal biting/vehicle hits/burning/medical/references to disability and sexism

We have a big problem: briefly; after this exposition character developments within the opening titles; we have to find the brightest individual to deal with this monster later on referred to as Godzilla; we meet Dr. Niko "Nick" Tatopoulos [Matthew Broderick:] he is a biologist which is currently working on the effects of Chernobyl on earthworms, but he is being brought in to the ground if there was any way of dealing with this situation humanely.

Generally speaking: the storyline/script or/and the framework and pacing is just too long; as this film goes on for roughly 139 minutes and man you will feel every minute, where I fell asleep for a portion of this film and had to go back and watch it, so I could do this content.

Comedy, art, action and comedy;to begin with in this  film in a nutshell; Victor "Animal" Palotti [Hank Azaria:] he is a cameraman for WIDF News as he tries to get up close and personal with Godzilla; in fact; he achieves it almost too well, with almost getting killed/squashed underfoot doing this; but he survives. I know, I know 9 times out of 10 I am usually much more kinder to films that are clearly getting old as it relates to their visual representation; simply put in this case green-screen effects, but in this case I just can't do it; they have just aged so badly to the point where they stick out like a sore thumb, okay now let's be reasonable and some of them are either relatively okay [based on the bar being set really low] or for a short time good, where we have Godzilla in this underwater sequence of events taking down these submarines; yes this is absolutely another positive sequence of events about this film has to offer its viewers

Character developments and performances; the character developments are straightforward versions of what they are meant to be, coinciding in really solid and likeable performances from this cast; let's be honest here and say man they have to do a lot to keep this film motivated and going, and incidentally this film also has Harry Shearer as Charles Caiman: this unpleasant news reporter for WIDF News and unfortunately no this news reporter and cameraman don't work together; now if you don't get the connection between these two performers correction three/trio of performers; Nancy Cartwright as Caiman's secretary: full disclosure I missed this and only know this from the casting, apologies about that; they have a long-term association with another as they have worked on everyone's favourite yellow family; The Simpsons since its inception since 1989 and as of this content are still going in 2026.

This film receives: 5/10, this film is mixed; after everything is said and done I believe this to be the right mark; yes the person I watch some of this content with is correct when they said something to the effect of; it will good for back in the day and this is true. But I just wonder if and I have no way of proving this, but maybe they were really trying to stick to the budget and consequently these effects have as I have already referenced aged like old milk, but strangely enough if you have never seen this film and somehow you either find or purchase a cheap copy of it; it wouldn't harm you to give it a go and of course it has positive and negative awards to its name such as Positives: 10 Winners which include but not limited to Academy of Science Fiction, Fantasy & Horror Films, USA 1999 Saturn Award Best Special Effects Volker Engel Patrick Tatopoulos Karen E. Goulekas Clay Pinney and 13 Nominees which also include but not limited to from the same award ceremony/event Best Director Roland Emmerich. Negatives: Razzie Awards 1999 Razzie Award Worst Remake or Sequel Tied with The Avengers (1998) and Psycho (1998) and then Nominee likewise from the same award ceremony/event Worst Screenplay Dean Devlin Roland Emmerich

 

 


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